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Independent researcher is a statistician who works in environmental epidemiology but independently collaborate in the cultural sector. She has been involved in questionnaire surveys and analysis on cultural enterprises for Federculture. She also dealt with collecting and elaborating data from different sources in cultural sector in order to produce reports about cultural institutions, entertainments, national accounts and tourism. For the Italian Compendium profile she collected and processed the statistical data.

Director of the Cultural Observatory of Piedmont is architect, co-funder and responsible for Research of Fitzcarraldo Foundation, from 1998 Director of Piedmont Cultural Observatory. He teaches in Bologna Economic Faculty, (Regional Cultural Policies) and in Lugano, Master in Advanced Studies in Cultural Management.He published many articles and books on cultural economics, museums and Heritage, design and project within historic centres, and cultural issues connected with urban regeneration. For the Italian Compendium profile he wrote paragraphs no. 3.1, 3.2 and 3.4.

President of ECCOM degree in Archaeology (University of Rome) and MA in Museum Studies (University of Leicester), has been involved in several projects and studies at local, national and European level with specific reference to cultural access, participation and audience development. She is an expert in European cultural policy and programmes. From 2015 to 2021 she has been member of the board and vice-president of Culture Action Europe and she is currently member of the Commission for the National Museum System of the Italian Ministry for Culture. For the Italian Compendium profile she wrote paragraph no. 1.4.

Economist of culture Annalisa Cicerchia works on the impact assessment of cultural policies, cultural indicators, and the relationship between culture, art and well-being, in Italy and Europe. She is senior resercher at the Italian National Statistical Institute and is professor of Management of Cultural Activities at the University of Rome Tor Vergata, member of the board of editors of the journal Economia della Cultura, Vice-president of the Cultural Welfare Center. She is the author of books, research reports and scientific articles. For the Italian Compendium profile she wrote paragraph no. 2.7 and chapter 6.

Independent researcher Martina Caroleo is social worker, her main topics include social inclusion, with a focus on unaccompanied foreign minors and socially disadvantaged adolescents and young adults. For the Italian Compendium profile she wrote paragraph no. 2.6.

Public investments advisor Rossella Almanza is architect, deals with planning, evaluation and management of public investment plans and programs, with particular reference to cultural policies and territorial and urban development. She collaborates with the General Secretariat of the Ministry of Culture, following the planning and implementation of programmes co-financed by European funds and investments under the Ministry's responsibility provided by the National Recovery and Resilience Plan. For the Italian Compendium profile she wrote chapter 7.

Associate Professor Deborah Agostino is Associate Professor in Accounting Finance and Control at Politecnico di Milano, where she is also the Director of a Permanent Research Unit on digital innovation in the arts (called Osservatorio Innovazione Digitale nei Beni e Attività Culturali). She is also co-director of the executive master in management of cultural institutions. She published over 50 contributions on digital innovation and performance management in arts and public sector. For the Italian Compendium profile she wrote chapter 2.4.

Head of research at Civita and policy advisor PhD in Territorial Planning at IUAV University in Venice, is a policy analyst, impact strategist and arts management expert. He works as Head of Research in Civita, on corporate social responsibility, public-private partnerships, stakeholders engagement, impact assessment and social reporting. As Adjunct Professor, he teaches management and fundraising for the cultural sectors. He edited more than 50 impact evaluation reports and researches mainly focused on cultural economics, innovation in the creative industries and culture-led development practices. He led the editorial coordination of the Compendium and wrote paragraphs no. 1.1, 1.2, 1.3, 2.1... read more →